This monumental painting is Gustave Caillebotte’s largest, most ambitious work and has been a visitor favorite since the Art Institute acquired it in 1964, well before the artist’s contributions to the Impressionist movement were widely recognized. Caillebotte captured a busy intersection of Paris that was only a short walk from his home. In fact, his paintings of Paris rarely depict areas beyond his familiar neighborhoods.

Caillebotte demonstrated his affinity with the Impressionists through his subject of modern urban life but approached these settings with a more Realist technique. The dramatic cropping of the scene may have been inspired by the newly popularized medium of photography; the two central figures seem to be walking straight into the viewer as something captures their attention outside of the frame. At the time, artists rarely attempted to depict people in motion; Caillebotte carefully placed each of the background figures to evoke the feeling of bustling city streets. When he started exhibiting with the Impressionists, Caillebotte also focused on portraying the atmosphere of his scenes; here, instead of explicitly painting raindrops to indicate the weather, he suggests it through the incorporation of newly available retractable umbrellas and the subtle reflections on the wet cobblestones.

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