Breezing Up (A Fair Wind)
Breezing Up (A Fair Wind)
Winslow Homer
United States
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Breezing Up (A Fair Wind)
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About The Artwork
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Winslow Homer made two changes to his earlier painting The Flirt, on view nearby, for the final composition of this canvas. Notice how an anchor replaces a figure in the bow. A man in red initially controls the tiller; the young boy next to him takes over in Breezing Up.
Homer showed this painting in Philadelphia at the Centennial Exposition of 1876. There, critics recognized the anchor as a symbol of hope and the forward direction of the boy’s gaze as an optimistic statement about the nation’s future after the haunting losses of the Civil War.
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Artwork Type: Print
About the artist

Winslow Homer, one of the most influential American painters of the nineteenth century, is known for his dynamic depictions of the power and beauty of nature and reflections on humanity’s struggle with the sea. A keen observer of the world around him, Homer likewise experimented with color, form, and composition, pushing his landscapes and genre pictures in modern directions. Raised in Massachusetts, he apprenticed in a lithography shop in Boston in the mid-1850s and soon secured work as a freelance illustrator. Relocating to New York, he undertook assignments for Harper’s Weekly, among other journals, and enrolled in drawing classes at the National Academy of Design.
During the Civil War, Harper’s Weekly sent Homer to the front, where he made drawings of Union battlefields, camps, and military hospitals that appeared as wood engravings in the widely circulated publication. Homer also took up painting during his time as an artist-correspondent. After the war, he focused on oil painting, working in New York and also traveling to France in 1866–67. Over the following decade, Homer painted scenes of leisure set in nature, such as the White Mountains in New Hampshire and the Adirondacks in upstate New York. He also spent his summers visiting New England fishing villages, discovering new subjects that had a profound effect on his career.
In 1881, he spent more than a year in the small fishing village of Cullercoats, England. This extended stay in the seaside community catalyzed a new, enduring interest in humankind’s age-old contest with nature, rendered in larger-scale compositions with more monumental figures and forms. In the summer of 1883 Homer moved to the coastal village of Prouts Neck, Maine, which remained his home for the rest of his life. There, he observed the shoreline in various weather conditions and seasons, creating his great seascapes, such as the iconic work The Herring Net. Amid the remote and dramatic landscape, he depicted views void of human life, focusing instead on an emotional response to nature, as in Coast of Maine.
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